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Item Nr. 62749
Dieser Artikel wird exklusiv für Sie bestellt.
MSRP* 1.799,99
1.649,- incl. VAT /
Gratis: POLARPRO Vario VND Peter McKinnon Filter Nikon Einsteigerkurs gratis 5 Jahre Garantie sichern + 1 more

Nikon AF-S Nikkor 16-35mm f/4.0 G ED VR Nikon FX

Item Nr. 37676
Gratis: POLARPRO Vario VND Peter McKinnon Filter Nikon Einsteigerkurs gratis 5 Jahre Garantie sichern + 1 more

Nikon AF-S Nikkor 16-35mm f/4.0 G ED VR Nikon FX

Item Nr. 37676
Dieser Artikel wird exklusiv für Sie bestellt.
MSRP* 1.299,-
1.178,89 incl. VAT /
From the blog

Hands On of the Tamron 28-75mm f2.8 G2 for Nikon Z

The super popular Tamron 28-75mm f/2.8 has been one of the best-selling standard zooms for years, so now finally comes the mount version for the Nikon Z mount. This gives Nikon's own 28-75mm a real competitor.

Read now
Item Nr. 26485
Am Außenlager. Lieferzeit 4-6 Werktage nach Zahlungseingang.
409,- incl. VAT /
Item Nr. 84203

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Free live consultation

Your individual consultation - from the comfort of your sofa

Item Nr. 55376
Dieser Artikel wird exklusiv für Sie bestellt.
MSRP* 619,-
549,- incl. VAT /
Item Nr. 10340

THYPOCH

Item Nr. 10340
760,41 incl. VAT /
Item Nr. 53657
Dieser Artikel wird exklusiv für Sie bestellt.
9.900,- incl. VAT /
Gratis: POLARPRO Vario VND Peter McKinnon Filter

Leica APO-VARIO-ELMARIT-SL 90-280mm f/2.8-4 L-Mount

Item Nr. 71959
Gratis: POLARPRO Vario VND Peter McKinnon Filter

Leica APO-VARIO-ELMARIT-SL 90-280mm f/2.8-4 L-Mount

Item Nr. 71959
Dieser Artikel wird exklusiv für Sie bestellt.
6.690,- incl. VAT /
Item Nr. 52192
Dieser Artikel wird exklusiv für Sie bestellt.
2.250,- incl. VAT /
Gratis: POLARPRO Vario VND Peter McKinnon Filter

Leica Vario-Elmarit-SL 24-90mm f/2.8-4.0 asph. L-Mount

Item Nr. 62488
Gratis: POLARPRO Vario VND Peter McKinnon Filter

Leica Vario-Elmarit-SL 24-90mm f/2.8-4.0 asph. L-Mount

Item Nr. 62488
Dieser Artikel wird exklusiv für Sie bestellt.
5.150,- incl. VAT /
Gratis: POLARPRO Vario VND Peter McKinnon Filter Nikon Einsteigerkurs gratis 5 Jahre Garantie sichern + 1 more

Nikon Nikkor Z 58mm f/0.95 Noct Nikon Z

Item Nr. 80692
Gratis: POLARPRO Vario VND Peter McKinnon Filter Nikon Einsteigerkurs gratis 5 Jahre Garantie sichern + 1 more

Nikon Nikkor Z 58mm f/0.95 Noct Nikon Z

Item Nr. 80692

Unfortunately, we cannot offer this article here. However, you are welcome to order it at www.fotokoch.de

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Item Nr. 22663
Dieser Artikel wird exklusiv für Sie bestellt.
7.723,10 incl. VAT /
Item Nr. 22633
Dieser Artikel wird exklusiv für Sie bestellt.
399,- incl. VAT /

Bundles with Viltrox MF 85mm/f1.8 Sony FE mount

Viltrox MF 85mm f/1.8 - Returned goods - Sony FE mount

Sofort lieferbar.
199,-
Item Nr. 35409
Anschluss:
  • Canon EF
    Am Außenlager. Lieferzeit 4-6 Werktage nach Zahlungseingang.
  • PL-Mount
    Am Außenlager. Lieferzeit 4-6 Werktage nach Zahlungseingang.
  • Sony E-Mount
    Am Außenlager. Lieferzeit 4-6 Werktage nach Zahlungseingang.
1.759,64 bis 1.940,78 incl. VAT /
Item Nr. 49218
Am Außenlager. Lieferzeit 4-6 Werktage nach Zahlungseingang.
1.940,78 incl. VAT /

Often a decision for life - choosing the right lens

Photography is always a question of focus. Clearly, it is the lens that changes the focus and makes the difference. And it is also always a question of ability, personal preferences and strengths. Of course, the question of which lens the photographer chooses also depends on the camera systems available - whether they prefer to work with system cameras (CSC) or single-lens reflex cameras (SLR). Fixed focal lengths do not have a zoom, so the photographer's eye is required here, as he must know which setting is suitable for which situation. On the other hand, they have a particularly good imaging performance with very low distortion, resulting in their superiority over other lenses. Fixed focal lengths are suitable for a whole range of subjects, from landscape photos to portraits. All lenses, such as those from Lensbaby, can be adjusted manually. In the fixed focal length range, there are new high-performance classics, optimized for digital technology, for example from Leica or the lenses from Meyer-Optik-G?rlitz, which have been revived according to original plans and adapted to digital technology. Among the Zoom and Megazoom lenses are high-performance lenses with a particularly wide focal length range and fast, virtually silent autofocus, suitable for wide-angle or telephoto applications. Here, Nikon is causing great amazement with the world's first ultra-wide-angle lens with image stabilizer, which ensures strong images even in low light. Horizons that bend and pillars that bulge forward for no reason - every photographer knows such difficulties. Shooting without distortion is a particular challenge with landscapes and architecture alike. Wide-angle lenses are available in the fixed focal length, macro, zoom and fisheye ranges, including a particularly distortion-free lens from Canon. While zooms and megazooms also cover the telephoto range, pure telephoto lenses are not suitable for the telephoto range Telephoto lenses - both as fixed focal lengths and as zooms - especially for wildlife and nature photography. At the top end, lenses from Hasselblad and Leica eliminate the need for any digital post-processing due to their outstanding quality. Olympus comes up trumps with the lightest and most compact telephoto lens currently available (Micro Four Thirds mount), while Sigma has the world's first lens with a speed of 2.8 at a focal length of 500 millimetres. Close up to the subject - the small really big - that is the specific feature of the Macro and its wide range of applications. Most lens manufacturers offer lenses for this special world in miniature - Canon, Nikon, Sony, Leica or Pentax as well as Tamron, Sigma or Samyang. Fish-eye lenses are available from D?rr, Samyang, Pentax, Panasonic, Olympus, Nikon, Sony and Walimex. Fish-eye photography can be used to achieve creative results and produce surprising effects, such as mountains that curve and walls that bulge outwards. Tilt-and-shift lenses from Canon, Nikon, Laowa, Leica, Samyang or Walimex, for example, help the photographer to correct the perspective of the image, i.e. to compensate for particular distortions, such as converging lines in architecture. Tilt" means panning (of the lens system in relation to the image plane). "Shift", on the other hand, means to move (for example, the focus area can be shifted while maintaining the exposure time).